To keep our staff and all of our guests safe as possible and to help prevent the spread of infectious disease/COVID-19, in adherence to current CDC recommendations and LA County mandates, we have updated the following policies in place for all of our upcoming indoor events for our patrons: Infectious Disease/COVID-19 Safety Protocols for SMP-produced Indoor Events The Sierra Madre Playhouse is a non-profit public benefit organization as described in Section 501(c)(3) of the Internal Revenue Code, contributions to which may be tax-deductible. Our vision for the Sierra Madre Playhouse is to become the region's premier intimate performing arts destination through sustained artistic excellence, expansive educational and cultural offerings, and inclusive outreach. With deep artistic roots in the San Gabriel Valley, our mission is to connect people in our diverse communities to one another through bold, resonant live theater in an intimate setting that inspires, entertains, and celebrates our shared humanity. Information: 62, theater located in the heart of Sierra Madre
Suitability: For children ages 6 and older. The “Space” cast is reviewed here.ĭany Margolies is a Los Angeles-based writer. Most entertaining might be the opportunity to make a mask, imagining what creatures on other planets might look like. Naturally the traveling trio brings back Father (Clayton McInerney) for a very happy ending - even though, as most of us know, terrible darkness still lurks out there.įor fun before the show, the lobby can barely contain all the displays and activities the Playhouse provides. Rebecca Hairston’s lighting design can too-brightly flash but certainly adds excitement, particularly when it helps create IT, the brain that thinks for its planet’s citizenry so they don’t have to. Whatsit is a glory of mismatched yet appealing, layered yet unrestricting outfits.Īll is highlighted by original music, composed by Sean Paxton, in a pleasing mix of 1970s synthesizer and sci-fi eerie exhilaration. Calvin has his letterman’s jacket, Aunt Beast has her furriness, and Mrs. Most effective at bringing all the characters to life are the costume designs, by Vicki Conrad. Who and the extraordinarily maternal Aunt Beast and even more by Thomas, who makes a hilarious pratfalling clown, and an eccentric but beautiful-on-the-inside fairy godmother. He is helped a good amount by Chalker, who doubles as the entertaining eyeglasses-wearing Mrs. Lebano nicely brings the book to theatrical life, seasoning the stage with humor and keeping the action bubbling along. Whatsit (Lena Thomas), a wonderfully peculiar stranger he found during his wanderings in the neighboring woods. With hot cocoa and sandwiches, he welcomes Meg and their mother (Kristyn Chalker) into the cozy kitchen.Ĭharles Wallace then introduces them to Mrs. Meg’s 5-year-old brother, Charles Wallace Murry (Boone Grigsby), preternaturally sensing and intelligent, has been expecting her. Meg can’t sleep, so she heads downstairs (a delightful moment between Jo and the stairway video of set- and projection designer Matthew G. That’s when we first meet our protagonist, Meg Murry (Cate Jo). It was a dark and stormy night, as we are told by the narrators, the printed words projected onto the set, and Christopher Moscatiello’s excellent sound design.
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Director Christian Lebano uses six actors to create the story’s many characters, and he establishes the many settings using a translucent set with doors and windows cut into it. The novel - about time-and-space travel, good and evil, growing up as our authentic selves at our own pace, family and friendship and more - has been adapted for the stage by John Glore. Whether L’Engle’s deeper messages could possibly have been woven through what is essentially young persons’ theater - though a delight for adults, too - remains a reason for long chats after the show. Imaginative direction, striking designs and two vivid performances bring the thrilling journey of Madeleine L’Engle’s science-fantasy novel “A Wrinkle in Time” to life onstage at Sierra Madre Playhouse.
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